fuji pro 400h overexposed

A quick recap on … Professional Film Processing and Scanning. Nobody pays me to write the content found on fujixweekly.com. Holiday Decor – S. Weber, UT – Fujifilm X-T20 “Pro 400H”. Fujifilm introduced Fujicolor Pro 400H in 2004 and it’s been a popular film ever since. I had read that one of the films that was the inspiration for the PRO Neg. I have been trying for some time now to create a film simulation recipe that mimics the aesthetic of overexposed Pro 400H, and, despite creating a Fujicolor Pro 400H film simulation recipe already, achieving an overexposed look has eluded me. When overexposed, the film turns from a somewhat ordinary high-ISO (that’s what the “H” stands for in the name) portrait film into something almost magical. About Us Dynamic Range: DR200 I Will Always Love You – Farmington, UT – Fujifilm X-T30 “Fujicolor Pro 400H Overexposed”. Colors become vibrant and pastel. Thank you! Thank you so much for sharing I have used it a couple times myself, although not anytime recently. The light and exposure of an image will change the look of it in a similar fashion to the actual film, although not completely the same. AFAIK he’s shooting film using the either Pro 400H or Kodak Protra 400 to achieve those look. This is a very unique look. I think in high contrast scenes, in order to prevent clipped highlights, if you aren’t going to select DR400, perhaps set highlights to -1. Required fields are marked *. The white balance shift that I settled on, which is the same one that was suggested to me in the first place, isn’t spot-on accurate for the shadows or highlights, but it’s a nice middle ground that’s close enough to both to be convincing. Hi film simulation was Pro 400H. I think that what I dislike most about Pro 400H is the color palette. I have been trying for some time now to create a film simulation recipe that mimics the aesthetic of overexposed Pro 400H, and, despite creating a Fujicolor Pro 400H film simulation recipe already, achieving an overexposed look has eluded me. I Will Always Love You – Farmington, UT – Fujifilm X-T30 “Fujicolor Pro 400H Overexposed”. Fujifilm Pro 400H film has a huge latitude in the highlights. Perhaps use +4 in low-contrast scenes and +3 in high-contrast scenes. Other detrimental effects of underexposure include a loss of shadow detail, increased grain and a ‘flatter’ look. In each case we shot at -2 stops, box speed, +2 stops and +4 stops. Even though I created this on my Fujifilm X-T30, it’s fully compatible with all X-Trans III and IV cameras. CFL-Pro ( Log Out /  You will have to report back if you like it. Do you think you could simulate the tone in-camera using film simulation? Color Chrome Effect: Off There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. Through the years and attempts of shooting this film, I’ve started to wonder if in fact I’m just not shooting the film the way that it was designed. Today, Pro 400H is often compared with Kodak Portra 400, though it has not reached anywhere close to the same hype. Sharpening: 1 Something that I went back and forth on with this recipe is the shadows. Provia Change ), You are commenting using your Facebook account. Perhaps use +4 in low-contrast scenes and +3 in high-contrast scenes. Your knowledge and hard work gives us plenty of joy using our cameras! Sharpening: 0 I just couldn’t believe that I finally did it! Highlight: -2 Color: +1 Hi film simulation was Pro 400H. Sorry for the delay in the reply, it slipped through the cracks somehow. ISO: Auto up to ISO 6400 You might consider setting Color to 0 if you think it’s too saturated. Here we have Fuji 400H shot at 2 stops under box speed, and 2 stops over box speed: We thought you might also like to see how each of the film stocks in our experiment, react to different exposures. With this type of light and backdrop this hasn’t posed much of a problem, but in a different scene the need to remove excess magenta could cause unwanted colour shifts that adversely affect the result of your image. Is it possible to re-create that look using your recipe? The exact look of overexposed Pro 400H varies, depending on how much overexposed, how developed, and how printed or scanned. All images were shot by Christian with Erica modelling (yes, I have a very spooky knack for standing and smiling in exactly the same way over 32 shots!) Tones that I know should be somewhat warm or outright warm are often made too cool for my taste and the saturation almost always feels like it’s cranked up too high for my taste. Highlight: 0 UK Film Lab Spotlight | Britt Spring », Casey - Very helpful. STD Under what conditions and scenes do you think this recipe is useful? For example, the film is known for cool blueish shadows and a warm pinkish highlights. I do not like this film stock. I feel like +4 is too much sometimes, and +3 is too little sometimes. Change ), You are commenting using your Google account. In fact, a lot of people purposefully overexpose the film because the colors turn pastel and the images become more warm and vibrant. Grain: Weak My Fujifilm X-T30 Fujicolor Pro 400H Overexposed Film Simulation Recipe, Fujicolor Pro 400H film simulation recipe, Fujifilm X100V Film Simulation Recipe: Kodak Portra 800, Fujifilm X-T1 (X-Trans II) Film Simulation Recipe: Porto 200, Review: Fujifilm X-T200 – Budget Camera, Beautiful Pictures, Fujifilm X-M1 (X-Trans I) Film Simulation Recipe: Vivid Color, Fujifilm X-M1 (X-Trans I) Film Simulation Recipe: Monochrome, Fujifilm X100V Film Simulation Recipe: Kodak Portra 800, My Fujifilm X100V Kodachrome 64 Film Simulation Recipe, My Fujifilm X100F Kodak Portra 400 Film Simulation Recipe, My Fujifilm X100F Vintage Kodachrome Film Simulation Recipe, My Fujifilm X-Pro2 Kodachrome II Film Simulation Recipe, Fujifilm X100V Film Simulation: Kodak Portra 400, My Fujifilm X100F CineStill 800T Film Simulation Recipe, My Fujifilm X100F Classic Chrome Film Simulation Recipe, My Fujifilm X-T30 Kodachrome 64 Film Simulation Recipe. I settled on +4, which I think is the most correct for simulating slightly overexposed Pro 400H. You might consider setting Color to 0 if you think it’s too saturated. You might try some shots with +4 and some with +3 and decide which you like better. When overexposed, the film turns from a somewhat ordinary high-ISO (that’s what the “H” stands for in the name) portrait film into something almost magical. Ritchie – chapeau bas! I think a +2.5 option would be most correct, but unfortunately that doesn’t exist. It produces vivid colors with a soft contrast, and, compared to a film like Kodak Portra 400, it has a cooler toned appearance. At least not like I do with Portra 400. Photographers often overexpose this film by as many as four stops. I Will Always Love You – Farmington, UT – Fujifilm X-T30 “Fujicolor Pro 400H Overexposed”. Yesterday, following some inspiration, as I was playing around with the Provia film simulation, I created a look that I thought might work. 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Change ), Fujicolor Pro 400H film simulation recipe, 12 New Film Simulation Recipes in 2020, And Counting… | Fuji X Weekly, Meer analoge film simulatie recepten voor fujifilm camera’s – Hans over Fotografie, https://nicostop.nikon-image.com/entry/film/lecture/2019/09/10/1, Film Simulation Recipe Compatibility: X-Trans IV | Fuji X Weekly, Fujifilm White Balance Shift: What It Is + How To Use It | Fuji X Weekly, Fujifilm X100V Film Simulation Recipe: Kodak Portra 800, Fujifilm X-T1 (X-Trans II) Film Simulation Recipe: Porto 200, Review: Fujifilm X-T200 – Budget Camera, Beautiful Pictures, Fujifilm X-M1 (X-Trans I) Film Simulation Recipe: Vivid Color, Fujifilm X-M1 (X-Trans I) Film Simulation Recipe: Monochrome, Fujifilm X100V Film Simulation Recipe: Kodak Portra 800, My Fujifilm X100V Kodachrome 64 Film Simulation Recipe, My Fujifilm X100F Kodak Portra 400 Film Simulation Recipe, My Fujifilm X100F Vintage Kodachrome Film Simulation Recipe, My Fujifilm X-Pro2 Kodachrome II Film Simulation Recipe, Fujifilm X100V Film Simulation: Kodak Portra 400, My Fujifilm X100F CineStill 800T Film Simulation Recipe, My Fujifilm X100F Classic Chrome Film Simulation Recipe, My Fujifilm X-T30 Kodachrome 64 Film Simulation Recipe. I do remember some of the idiosyncrasies of the film. Something that I went back and forth on with this recipe is the shadows. I actually think that it looks better overexposed 1-2 stops. This gives us more ‘information’ to work with in the scanning process at the lab, and allows room for more colour correction if required. Our main aim was to correct the images as necessary in the scan and edit to create a neutral and pleasing skin tone. When overexposed, the film turns from a somewhat ordinary high-ISO (that’s what the “H” stands for in the name) portrait film into something almost magical. I hope you like one or two of the new film simulation recipes. Posted on December 23, 2018 by Ritchie Roesch, Taking Out The Trash – Ogden, UT – Fujifilm X-T20 “Pro 400H”. Std and Astia, to get the look that I was after, but I just couldn’t get it right. If you overexposed by 3 stops, no problemls. Shadow: +3 I also debated on Color, settling on +1, which might be too high. Example photographs, all straight-out-of-camera JPEGs captured using my Fujifilm X-T30 Fujicolor Pro 400H Overexposed film simulation recipe: Annoyed – Farmington, UT – Fujifilm X-T30 “Fujicolor Pro 400H Overexposed”, Reading – Farmington, UT – Fujifilm X-T30, Markers – Farmington, UT – Fujifilm X-T30, Lego Car – Farmington, UT – Fujifilm X-T30, Ocean of Books – Farmington, UT – Fujifilm X-T30, Suburban Sky – Farmington, UT – Fujifilm X-T30, Neighborhood – Farmington, UT – Fujifilm X-T30, Tree Trunk Between Shrubs – Farmington, UT – Fujifilm X-T30, Liquid Obscurity – Farmington, UT – Fujifilm X-T30, Evening Windows – Farmington, UT – Fujifilm X-T30, Closed Umbrella – Farmington, UT – Fujifilm X-T30, Raining In The Pool – Farmington, UT – Fujifilm X-T30, Observing – Farmington, UT – Fujifilm X-T30, Outdoor Mall – Farmington, UT – Fujifilm X-T30, String of Lights – Farmington, UT – Fujifilm X-T30, Disconnected – Farmington, UT – Fujifilm X-T30. I will try to report with my X-Trans 3 camera I tried and tried using that film simulation, and even PRO Neg. I’m a fair skinned person and most of the friends I’ve photographed with 400H are fair skinned and all of us look ghostly white surrounded by dark and saturated colors around us. The only thing I am “afraid” is with DR400 (so at least 800ISO) and exposure compensation at least above +1 is to blow out a big part of the image for outdoor shoot. Green Sky – Farmington, UT – Fujifilm X-T30 “Fujicolor Pro 400H Overexposed”. It’s because of that that I want to like Fuji’s fim. Color set to 0 or -1 will reduce that effect a little. ISO: Auto up to ISO 6400 When overexposed, the film turns from a somewhat ordinary high-ISO (that’s what the “H” stands for in the name) portrait film into something almost magical. Enter your email address to follow this blog and receive notifications of new posts by email. I only tested with my X70 so far (X-Trans 2 sensor processor) I prefer the results with color at 0 and +1 for shadows (it only go to +2) and decrease the sharpness I find it more organic, filmic. Was it printed, and how so? Something that I went back and forth on with this recipe is the shadows. The exact look of overexposed Pro 400H varies, depending on how much overexposed, how developed, and how printed or scanned. The effect can range from subtle to pronounced. Love the great info you share with us! I have wanted so badly to like Pro 400H. I currently have plans to do an experiment somewhat soon to compare it with Portra 400 in a range of scenarios, shot in duplicate – one for a neutral exposure and one over exposed by 1 stop.

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