meek's cutoff ending reddit

It isn't packed with dialogue or mountains of subtext (although there is a lot) and it doesn't need to be. It is fun watching that movie with friends just to see their reaction to the ending lol. Certainly, the film is grim in many ways, but there is also great, almost astonishing, beauty. The percentage of Approved Tomatometer Critics who have given this movie a positive review. It wouldn't be the first great film to be missing its ending, of course (Magnificent Ambersons) but it does change how we look at the movie. All rights reserved. I'm not going to say this is a masterpiece or anything, although visually it is. Brody eloquently writes again on this subject: In his review of Kelly Reichardt’s Western “Meek’s Cutoff” in the magazine this week, David Denby refers to the movie’s “new kind of feminist and materialist realism.” I don’t think it’s new, but it is materialist, and it’s a kind of realism that plays into an ongoing cinematic fallacy: the notion that poor people facing physical travails lack inner lives, as if having a life full of stories, dreams beyond survival, religious beliefs, and a thick tangle of social and emotional connections were a sort of luxury—and as if spending too much screen time finding and depicting them would be a form of disrespect or indifference to the characters’ immediate practical and economic difficulties. Along the way there is a solid minimalist performance of Michelle Williams and a nice turn by Bruce Greenwood as the blowhard Meeks to go with the vast vistas of nothingness. They still make jokes about that terrible movie I made them watch. J.R. 'Bob' Dobbs & The Church of the SubGenius, Fall TV First Look: Find Out What’s Coming, The Best Peacock Original Shows and Movies, All Upcoming Disney Movies: New Disney Live-Action, Animation, Pixar, Marvel, and More. (not a quote from the movie). That's one way of looking at it but wouldn't the same political purposes be served by having Meek lead them into conclusive desolation, as in (IIRC) the historical story? Don't have an account? Just below that it reads "Ticket Confirmation#:" followed by a 10-digit number. When faced with having to lower the wagons down a steep slope via rope one at a time I question whether it was really necessary for Reichardt to show the descent of all three. That ending caused my parents to scream at the T.V. The film is show, not tell. It's a journey that's abandoned before it really gets underway. As you watch these quiet settlers wander around, ominous music continues to pop up throughout the film. What I'm getting from Meek's Cutoff seems to be a lack of clarity. What does everyone here think of "Meek's Cutoff"? ._3Qx5bBCG_O8wVZee9J-KyJ{border-top:1px solid var(--newRedditTheme-line);margin-top:16px;padding-top:16px}._3Qx5bBCG_O8wVZee9J-KyJ ._2NbKFI9n3wPM76pgfAPEsN{margin:0;padding:0}._3Qx5bBCG_O8wVZee9J-KyJ ._2NbKFI9n3wPM76pgfAPEsN ._2btz68cXFBI3RWcfSNwbmJ{font-family:Noto Sans,Arial,sans-serif;font-size:14px;font-weight:400;line-height:21px;display:-ms-flexbox;display:flex;-ms-flex-pack:justify;justify-content:space-between;margin:8px 0}._3Qx5bBCG_O8wVZee9J-KyJ ._2NbKFI9n3wPM76pgfAPEsN ._2btz68cXFBI3RWcfSNwbmJ.QgBK4ECuqpeR2umRjYcP2{opacity:.4}._3Qx5bBCG_O8wVZee9J-KyJ ._2NbKFI9n3wPM76pgfAPEsN ._2btz68cXFBI3RWcfSNwbmJ label{font-size:12px;font-weight:500;line-height:16px;display:-ms-flexbox;display:flex;-ms-flex-align:center;align-items:center}._3Qx5bBCG_O8wVZee9J-KyJ ._2NbKFI9n3wPM76pgfAPEsN ._2btz68cXFBI3RWcfSNwbmJ label svg{fill:currentColor;height:20px;margin-right:4px;width:20px}._3Qx5bBCG_O8wVZee9J-KyJ ._4OtOUaGIjjp2cNJMUxme_{-ms-flex-align:center;align-items:center;display:-ms-flexbox;display:flex;-ms-flex-pack:justify;justify-content:space-between;padding:0;width:100%}._3Qx5bBCG_O8wVZee9J-KyJ ._4OtOUaGIjjp2cNJMUxme_ svg{display:inline-block;height:12px;width:12px}.isInButtons2020 ._4OtOUaGIjjp2cNJMUxme_{padding:0 12px}.isInButtons2020 ._1ra1vBLrjtHjhYDZ_gOy8F{font-family:Noto Sans,Arial,sans-serif;font-size:12px;font-weight:700;letter-spacing:unset;line-height:16px;text-transform:unset}._1ra1vBLrjtHjhYDZ_gOy8F{--textColor:var(--newCommunityTheme-widgetColors-sidebarWidgetTextColor);--textColorHover:var(--newCommunityTheme-widgetColors-sidebarWidgetTextColorShaded80);font-size:10px;font-weight:700;letter-spacing:.5px;line-height:12px;text-transform:uppercase;color:var(--textColor);fill:var(--textColor);opacity:1}._1ra1vBLrjtHjhYDZ_gOy8F._2UlgIO1LIFVpT30ItAtPfb{--textColor:var(--newRedditTheme-widgetColors-sidebarWidgetTextColor);--textColorHover:var(--newRedditTheme-widgetColors-sidebarWidgetTextColorShaded80)}._1ra1vBLrjtHjhYDZ_gOy8F:active,._1ra1vBLrjtHjhYDZ_gOy8F:hover{color:var(--textColorHover);fill:var(--textColorHover)}._1ra1vBLrjtHjhYDZ_gOy8F:disabled,._1ra1vBLrjtHjhYDZ_gOy8F[data-disabled],._1ra1vBLrjtHjhYDZ_gOy8F[disabled]{opacity:.5;cursor:not-allowed} Forgot your password? I turned it off halfway through and played Oregon Trail instead. Why would I? The visuals of the film focus on the separateness of the women, the rugged practicalities of physical existence, and the landscape. Archived.

ABBA's winning – if slightly uneven – seventh album Super Trouper is reissued on 45rpm vinyl for its birthday. Kelly Reichardt is probably my favorite director. But this perspective, and Emily's victory over Meek, is undercut by the movie's refusal to reveal if Emily's actions helped save the group-- or if the situation was by that point too hopeless to escape from-- or if maybe Meek was right about the Indian, and he was leading them to their doom-- or if maybe the Indian did rescue them, but led them to his people, at which point the tables would have turned and they would be at the mercy of another culture. Meek's Cutoff could be the most understated, and historically accurate, horror film in history. The percentage of users who rated this 3.5 stars or higher. We want to hear what you have to say but need to verify your email. Wow, what a dull movie. Especially for the ambiguous ending and spare dialogue. A group of people entrust their future to a stranger. Attacks by Indians were not the greatest danger; accidents and disease were. Sign up here. Cinemark We always want to know, even though endings don't truly exist, how characters will deal with the events that they have survived through the course of a film. I watched it with my parents on Netflix, and it was one of the most interesting cinematic experiences. Saved or doomed. It's really unclear, and that is unsatisfying. No doubt that Tarkovsky would've loved it, since it is definitely in line with his sculpting in time philosophy. One of the biggest problems, aside from lack of resolution, in Meek's Cutoff is that the characters are so incredibly stagnant. What did she experience, what did her perspective offer, that separated her from the others and gave her what it took to finally make the decision? For one thing, the ending respects the very real historical ambiguity of Stephen Meek. The pacing of this moving is as slow as possible. But it is also a primal piece of filmmaking, wrought from dirt and rock and calico, illuminated by natural light and campfire. I think Meek's Cutoff was not great although I do owe it another watch, but the whole concept of conveying feelings really begins to fray when the people who we are supposed to empathize with are completely foreign in every way. Maybe. In an interview, Reichardt mentions she was careful not to paint Meek as hero or fool, out of respect for what is not known about him and his fateful trip on the Oregon Trail. It is liken to watching a horror flick in a way. tldr: Slow is fine. You might be committing a different error (that most of us commit all the time) of wanting a movie to be something different from what it is. And any definitive ending would have been a detriment to the whole thing as well. What little we do have to hang on to (the political gestures inherent in the film's exploration of the leadership question) is best compared to Hitchcock's Lifeboat. |, January 17, 2020 I don't think it's the responsibility of Reichard that you're so diligently buying into PR and press surrounding the film. I'm not given entry into the action (which is, again, something I said in the piece). There may be some key to unlocking the value of the ambiguity in this ending that I may have missed. Close. This ratio, along with the cinematography, almost perfectly correlates with the film's intentions, and takes us back to the classic days of bringing the images to an equilibrium so that the eye does not hesitate away from the minimalist action, "action" meaning the meaningful events in this absorbing and almost existentialist pioneer journey. Get the freshest reviews, news, and more delivered right to your inbox! It's both the scariest and most poetic film of the year. |, May 20, 2011 | Rating: 3.5/5

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